On View | New Editions 2017 - 2018 and Digging Deep: From the Flatbed Flat Files

Flatbed Files

WHITE POWER (REWOP ETIHW)

WHITE POWER (REWOP ETIHW)

WHITE POWER (REWOP ETIHW) Michael Ray Charles, White Power (REWOP ETIHW), hand-colored etching, edition of 50, 1994. Twenty years ...
Jules Buck Jones In the House: UPDATE

Jules Buck Jones In the House: UPDATE

JULES BUCK JONES Update: Continental Divide   Tuesday, May 21, Jules signed the edition of 10 ten etchings and a few color trial proofs. Th...
Four At The Flatbed Building

Four At The Flatbed Building

http://www.galleryshoalcreek.com/exhibits.html http://www.flatbedpress.com/ There may have been some rumors and rumblings recently about ...
Samson Mnisi, Out of Africa

Samson Mnisi, Out of Africa

Samson Mnisi at Flatbed 2008 Samson Mnisi's last name can be translated as "Rainmaker" and he comes from a family of whom it is said cur...
Come to the Table

Come to the Table

This Monday evening, January 14, you are invited to a visual and culinary feast.  Places are laid for 30 people to come to the table at Flatbed fo...
EVIDENCE OF OBSESSION: A Special Event At Flatbed

EVIDENCE OF OBSESSION: A Special Event At Flatbed

RSVP   •   VIEW EXHIBITION    •   DOWNLOAD INVITE
To Dream

To Dream

As an update to my previous blog about Mary Fielding McCleary's "Swan," I want to announce that her "Swan" is now known as "To Dream More, To Drea...
Sangre de Cristo

Sangre de Cristo

Joel Salcido, Sangre de Cristo, chine collé, a la poupée polymer photogravure, edition of 24, 2012. "The first thing I noticed when I ent...
Behind It All

Behind It All

Mary Fielding McCleary, "Traveler," Chine collé a la poupeé polymer-gravure, edition of 24, 2012. Mary Fielding McCleary is best known for...
Her Majesty (su majestad)

Her Majesty (su majestad)

Her Majesty (su majestad) by Sandra Fernandez When you think of a Queen, in all of her majesty, you may envision a highly decorated, intr...
A Moveable Feast: Taking Flatbed to Luis

A Moveable Feast: Taking Flatbed to Luis

Luis Jimenez, "Adan", soft-ground etching, edition of 30, 1997. Ordinarily, an artist comes to our studio to work.  We have great presses, cont...
Late Bloomer

Late Bloomer

Piccolo Fiore, Hand-colored etching, edition of 46, 2007    I have great respect for artists that come to work with us at Flatbed.  They come fr...