News & Events

Sherry Owens develops her visual language through a deep exploration of the relationship between humanity and nature. Restless as the Sea draws inspiration from cut-back grass Owens observed on the campus of Sam Houston State University

The egg has long been a central motif in Sharon Kopriva’s artistic practice, symbolizing the cyclical interplay of life, death, and rebirth.

BOB ANDERSON - FLAT FILE 27 At Flatbed Press, we house over 100 drawers—our “flat files”—filled with original prints by a wide range of artists. These prints represent an incredible variety of styles, techniques, and voices in contemporary printmaking.

Beili Liu investigates the subtle connections between elemental processes and the material objects of daily life.

Alfonso Huerta’s large-scale multipanel linocut, The Labyrinth of Time, is an intricate meditation on memory, ritual, and the interwoven rhythms of existence. The work unfolds as a vast tapestry of repeating patterns, symbols, and figures that draw the viewer into a visual maze—one that feels both ancient and contemporary.

BOB ANDERSON - FLAT FILE 27 At Flatbed Press, we house over 100 drawers—our “flat files”—filled with original prints by a wide range of artists. These prints represent an incredible variety of styles, techniques, and voices in contemporary printmaking.

Gareth Maguire, “Blank Space” is a stone and plate color lithograph published July 2025.

Known for her remarkable sculptures that often explore the entanglements of space and time, Sherry Owens created this large woodcut titled un poco de bambú

Maguire's new monoprint series was born from grief, created in the wake of losing both of his parents.

LOVE NOTES, Suzi Davioff’s title for her new suite of etchings, conjours treasured hand-written notes.

Flatbed is excited to announce the publication of David Everett’s most recent woodcut, “Raven.” Everett has been creating woodcuts to add to his ongoing series of Southwest animals, and for the last two years has focused on birds.

This spring, Pryor came to Flatbed to create a most interesting suite of works that through his repetitive mark-making and the repetition of printing, he could produce an installation of a million distinct marks.

Jenny Robinson’s spectacular color lithograph was released November 7. The ithograph measures 30 x 40 1/2 inches and is printed on both sides of translucent Kitakata paper. It is a striking “tour de force” of Robinson’s imaginative constructed spaces. Link to see more about this lithograph printed in a small edition of 10.

Matt Magee is an American contemporary artist whose printmaking practice continues his interest in minimal abstract geometric forms. "Sliver" is a color lithograph measuring 29 1/4 x 21 inches printed on Somerset satin white.  We created an edition of 20.  Find this print in our online collection here:  SLIVER

Glasstire names "Temporal 'Thresholds: tracing the lines of time" one of Texas' top five this week. September 12, 2024

Flatbed is thrilled the announce the publication of “Rookery, High Island” and “Rookery, High Island II” by Billy Hassell! Billy’s two new lithographs were signed on September 3 at Flatbed. Billy started the collaboration to create these prints in February with Master Printer, Alyssa Ebinger. The intention was to create one full-color lithograph, but during his time at Flatbed developing the image, he also approved a second version. This monochromatic version, “Rookery, High Island II” utilizes three plates from the color version

In May of 2024, Flatbed published “Disappearance: Icons of Excess” with Hammonds. The hand-drawn lithograph with chine collé relief etching vignettes combines Hammonds’ themes of nature contrasted with human over-indulgence. Hammonds writes: “

My focus lies in conveying the fragility of nature and the impact of human actions on the environment, drawing inspiration from the mysterious depths of forests and piles of debris

Kyle Hawley takes on the often hush-hush topic of Motherhood to unfold the tools of that calling imbued with the range of inherent emotive colors. Using mono-printing techniques, Hawley prints directly from cloth utility accessories and garments that she designed and created to assist in mothering.

The Texas Prairie. Where does it exist? Did the city take it, pave it, and replant it? The very words conjure images of air, space, and unfenced vastness. Erika Huddleston has been drawn to preserved prairies and what she can find there to draw and paint.

Flatbed is excited to announce the publication of Annalise Gratovich’s newest woodcut in her series “Villagers Carrying Things from Home.” This woodcut was created in the unique method of adding color by printing hand-dyed chine collé elements into the life-sized woodcut, and is the seventh Villager woodcut in her planned series of eight. Only seven impressions were printed in the edition.

Cardinal, David Everett’s newest woodcut, is a familiar bird to us in Central Texas and its range is broad across the United States. Its color catches our eye, and its loud call arrests our attention. To some indigenous tribes the cardinal, which mates for life, is considered a “matchmaker.”