Flatbed Press proudly announces the 2025 Kollwitz Circle print: White Rhino by Terry Allen.
Each year, Flatbed commissions a special edition exclusively for members of the Kollwitz Circle collector’s group—an opportunity to bring a singular work by a major artist into this intimate annual tradition. For 2025, we are honored to present a new etching by Terry Allen, an artist whose multidisciplinary practice has long woven together storytelling, memory, and myth.

Quail, David Everett’s newest woodcut, is the scaled quail (Callipepla squamata), also called blue quail or cottontop. It is a bluish gray bird found in the arid regions of the Southwestern United States to Central Mexico,.

“The Fool” is the eighth of the Villager Series of chine collé woodcuts by Annalise Gratovich. Flatbed has co-published this series with Gratovich over a period of twelve years. The monumental sized woodblocks, carved by Gratovich were printed in editions of seven and feature color designed, dyed and chine colléd into each print by the artist.

Beili Liu investigates the subtle connections between elemental processes and the material objects of daily life. Her practice often invites viewers to pause and consider the invisible forces that shape our existence. In her Elemental suite of lithographs, Liu turns to fire, water, air, and earth, distilling their properties into paper and ink through processes that are at once physical and poetic.

Sherry Owens develops her visual language through a deep exploration of the relationship between humanity and nature. Restless as the Sea draws inspiration from cut-back grass Owens observed on the campus of Sam Houston State University

The egg has long been a central motif in Sharon Kopriva’s artistic practice, symbolizing the cyclical interplay of life, death, and rebirth.

Alfonso Huerta’s large-scale multipanel linocut, The Labyrinth of Time, is an intricate meditation on memory, ritual, and the interwoven rhythms of existence. The work unfolds as a vast tapestry of repeating patterns, symbols, and figures that draw the viewer into a visual maze—one that feels both ancient and contemporary.