Flatbed is excited to announce a new etching by Adrian Armstrong. Titled “NY 001”, Armstrong continues to explore relationships through portraiture. This etching was created in an edition of 14.

It is too soon to lose Frank X. Tolbert 2. A great artist and friend to Flatbed, Frank brought his magical way of interpreting the world into the printmaking sphere.

Joan Winter (American, born 1947) is a renowned sculptor and printmaker whose work is inspired by Japanese architecture.

Ann Conner (born 1948, Wilmington) is a nationally acclaimed artist and professor, known for her colorful woodblock prints. Her work is included in a number of major museum and corporate print collections in the U.S. and internationally.

“Angel in Passage Among Leaves and Twigs and Falling Sky Pieces” by Kelly Fearing is our featured Flatbed File of the week.

Spencer Fidler (born 1944, American) is a master printer and teacher, whose career has focused specifically on the media of printmaking and drawing. Often challenging the traditional technical and aesthetic boundaries of printmaking,

James Surls (born 1943, Texas) is a world-renowned modernist known for his striking sculptures, drawings, and prints.

“Victory: The Celebration” is a soft-ground etching and drypoint that would be the last printmaking project before Levers’ death in 1992.

“Poza” is our featured print of the week. It was created by Liz Ward in 2000 - 2001 as a part of her Increment Suite. Like the other prints included in “Increments Suite”, “Poza” was created using custom-made Kitakata paper. The paper itself is slightly green, and the print was made using a staged aquatint. It depicts a globular amorphous shape made up of gradient aqua-colored rings on a flat background.

Melissa Miller (bo rn 1951, Houston) is a nationally acclaimed artist known for creating expressive and often mystical depictions of animals and nature.

Liliana Porter (born 1941, Buenos Aires, Argentina) was an early proponent of Conceptual art. She co-founded the New York Graphic Workshop in 1964, where she and her colleagues challenged the museum and gallery system…

"Ad Referendum” by Julie Speed is our featured Flatbed Files print of the week. Speed’s most ambitious project at Flatbed was her “Bible Studies” series of 2005, where she created seven prints using collaged antique engravings by Gustave Doré, a prolific French printmaker from the mid-19th century.