LOVE NOTES, Suzi Davioff’s title for her new suite of etchings, conjours treasured hand-written notes.
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Flatbed is excited to announce the publication of David Everett’s most recent woodcut, “Raven.” Everett has been creating woodcuts to add to his ongoing series of Southwest animals, and for the last two years has focused on birds.
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This spring, Pryor came to Flatbed to create a most interesting suite of works that through his repetitive mark-making and the repetition of printing, he could produce an installation of a million distinct marks.
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Jenny Robinson’s spectacular color lithograph was released November 7. The ithograph measures 30 x 40 1/2 inches and is printed on both sides of translucent Kitakata paper. It is a striking “tour de force” of Robinson’s imaginative constructed spaces. Link to see more about this lithograph printed in a small edition of 10.
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Matt Magee is an American contemporary artist whose printmaking practice continues his interest in minimal abstract geometric forms. "Sliver" is a color lithograph measuring 29 1/4 x 21 inches printed on Somerset satin white. We created an edition of 20. Find this print in our online collection here: SLIVER
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Flatbed is thrilled the announce the publication of “Rookery, High Island” and “Rookery, High Island II” by Billy Hassell! Billy’s two new lithographs were signed on September 3 at Flatbed. Billy started the collaboration to create these prints in February with Master Printer, Alyssa Ebinger. The intention was to create one full-color lithograph, but during his time at Flatbed developing the image, he also approved a second version. This monochromatic version, “Rookery, High Island II” utilizes three plates from the color version
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In May of 2024, Flatbed published “Disappearance: Icons of Excess” with Hammonds. The hand-drawn lithograph with chine collé relief etching vignettes combines Hammonds’ themes of nature contrasted with human over-indulgence. Hammonds writes: “
My focus lies in conveying the fragility of nature and the impact of human actions on the environment, drawing inspiration from the mysterious depths of forests and piles of debris
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Kyle Hawley takes on the often hush-hush topic of Motherhood to unfold the tools of that calling imbued with the range of inherent emotive colors. Using mono-printing techniques, Hawley prints directly from cloth utility accessories and garments that she designed and created to assist in mothering.
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The Texas Prairie. Where does it exist? Did the city take it, pave it, and replant it? The very words conjure images of air, space, and unfenced vastness. Erika Huddleston has been drawn to preserved prairies and what she can find there to draw and paint.
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Flatbed is excited to announce the publication of Annalise Gratovich’s newest woodcut in her series “Villagers Carrying Things from Home.” This woodcut was created in the unique method of adding color by printing hand-dyed chine collé elements into the life-sized woodcut, and is the seventh Villager woodcut in her planned series of eight. Only seven impressions were printed in the edition.
Read MoreCardinal, David Everett’s newest woodcut, is a familiar bird to us in Central Texas and its range is broad across the United States. Its color catches our eye, and its loud call arrests our attention. To some indigenous tribes the cardinal, which mates for life, is considered a “matchmaker.”
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In 2023, Sullivan developed two images at Flatbed to become polymer gravure etchings. First was the image of “Box” 1, a hand-drawn skeletal probing of the space of a simple box. He had drawn this image with a certain hand-carved reed dipped a sepia-toned ink. The second was Popular Mechanics 8 + 3, a diptych intaglio image based on Sullivan's landscape drawings which are on sheets from a Popular Mechanics magazine printed with the raised-dot patterns of Braille. The images though starkly different from each other, share Sullivan’s search for the unseen.
Read MoreIt was 1973 in Terlingua, Texas and photographer Peter Leighton captured a moment of Willie Nelson’s performance during a tumultuous night set. He discovered it years later, restored the film negative, and is working with Flatbed to create a very limited polymer photogravure edition.
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We are proud to announce our fifth publication with Melissa Miller! The color linocut published this year is titled Walrus. It is the first of a series of linocuts Miller intends to create. Walrus features not only a Walrus but other animals of the Arctic.
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“The Six” was Lance Letscher’s third print to be published at Flatbed in 2020. The print which measures 45” x 31” is a dazzling image that combines drypoint linear constructs with color fields.
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Flatbed is very pleased to announce the release of the two newest editions in Annalise Gratovich’s ongoing series of eight, Carrying Things From Home. The two new images titled, The Mother and The Undertaker are the fifth and sixth life-size woodcuts by the first generation Texas artist, representing life and hope, death and loss.
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Lance Letsche’s past printmaking experience and love of the intaglio process and mark making on copper has inspired a body of intaglio works created as co-publications with Flatbed Press.
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