Glasstire names "Temporal 'Thresholds: tracing the lines of time" one of Texas' top five this week. September 12, 2024
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In May of 2024, Flatbed published “Disappearance: Icons of Excess” with Hammonds. The hand-drawn lithograph with chine collé relief etching vignettes combines Hammonds’ themes of nature contrasted with human over-indulgence. Hammonds writes: “
My focus lies in conveying the fragility of nature and the impact of human actions on the environment, drawing inspiration from the mysterious depths of forests and piles of debris
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The Texas Prairie. Where does it exist? Did the city take it, pave it, and replant it? The very words conjure images of air, space, and unfenced vastness. Erika Huddleston has been drawn to preserved prairies and what she can find there to draw and paint.
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Flatbed is excited to announce the publication of Annalise Gratovich’s newest woodcut in her series “Villagers Carrying Things from Home.” This woodcut was created in the unique method of adding color by printing hand-dyed chine collé elements into the life-sized woodcut, and is the seventh Villager woodcut in her planned series of eight. Only seven impressions were printed in the edition.
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In 2023, Sullivan developed two images at Flatbed to become polymer gravure etchings. First was the image of “Box” 1, a hand-drawn skeletal probing of the space of a simple box. He had drawn this image with a certain hand-carved reed dipped a sepia-toned ink. The second was Popular Mechanics 8 + 3, a diptych intaglio image based on Sullivan's landscape drawings which are on sheets from a Popular Mechanics magazine printed with the raised-dot patterns of Braille. The images though starkly different from each other, share Sullivan’s search for the unseen.
Read MoreIt was 1973 in Terlingua, Texas and photographer Peter Leighton captured a moment of Willie Nelson’s performance during a tumultuous night set. He discovered it years later, restored the film negative, and is working with Flatbed to create a very limited polymer photogravure edition.
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It was 1973 in Terlingua, Texas and photographer Peter Leighton captured a moment of Willie Nelson’s performance during a tumultuous night set. He discovered it years later, restored the film negative, and is working with Flatbed to create a very limited polymer photogravure edition.
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It was 1973 in Terlingua, Texas and photographer Peter Leighton captured a moment of Willie Nelson’s performance during a tumultuous night set. He discovered it years later, restored the film negative, and is working with Flatbed to create a very limited polymer photogravure edition.
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Joan Winter (American, born 1947) is a renowned sculptor and printmaker whose work is inspired by Japanese architecture.
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Ann Conner (born 1948, Wilmington) is a nationally acclaimed artist and professor, known for her colorful woodblock prints. Her work is included in a number of major museum and corporate print collections in the U.S. and internationally.
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“Angel in Passage Among Leaves and Twigs and Falling Sky Pieces” by Kelly Fearing is our featured Flatbed File of the week.
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Spencer Fidler (born 1944, American) is a master printer and teacher, whose career has focused specifically on the media of printmaking and drawing. Often challenging the traditional technical and aesthetic boundaries of printmaking,
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Flatbed Press is proud to announce the publication of three new woodcuts by David Everett. The newest to join his lexicon of southwestern creatures are Caracara, Roadrunner, and Kingfisher. These recent choices of Everett’s are all birds found in Texas. Roadrunner and Caracara are often seen in arid areas but the Kingfisher thrives near lakes, rivers, and other aquatic areas.
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Flatbed is pleased to announce the signing and publication of Adrian Armstrong’s third published print, “Back Owned/Mini-Telfar.”
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When Connie Arismendi collaborated with Flatbed’s printers in 2021 and 2022, she created a cycle of very large monoprints that featured cloud shapes that contained a single word.
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Friday, July 22, 2022 from 6:30 - 7:30 pm.
Join us for an informal but lively conversation between artist Heather Parrish and historisan Katherine Leah Price.
Flatbed is proud to announce the acquisition of La Ventana by the Museum of Fine Arts Houston. La Ventana was created in 2013 at Flatbed by artist Alice Leora Briggs with the printing assistance of Tracy Mayrello and Cordelia Blanchard.
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Book Signing & Reading with Deborah Cole
SHE (Believed She Could So She Did)
Sunday March 6th 3pm-5pm
In honor of International Women’s Month and to just celebrate WOMEN, Flatbed is so pleased to have photographer and author Deborah Cole here for a signing and reading of her book SHE (Believed She Could So She Did). Please join us on Sunday, March 6th 3pm-5pm to celebrate the powerful women in your life!
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Flatbed is excited to announce the publication of six new prints with Mexican-born artist Miguel A. Aragón. Aragón, who lives and works in New York City (USA) and Berlin (Germany) has exhibited internationally at venues including the Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY; Uferhallen, Berlin, Germany and the Society of Northern Alberta Print-Artists, Canada. His awards and residences include NYSCA/NYFA Artist Fellowship; KALA Art Institute, Berkeley, CA; Zygote Press, Cleveland, OH; and Till Richter Museum, Buggenhagen, Germany.
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CONGRATULATIONS TO ADRIAN ARMSTRONG! The New York Pubic Libarary Collection of Prints and Photographs has acquired “Portrait” EV 15/16 to their collection!
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