Posts tagged New Publication
Taking Flight! Billy Hassell, "Rookery, High Island" and "Rookery, High Island II"

Flatbed is thrilled the announce the publication of “Rookery, High Island” and “Rookery, High Island II” by Billy Hassell! Billy’s two new lithographs were signed on September 3 at Flatbed. Billy started the collaboration to create these prints in February with Master Printer, Alyssa Ebinger. The intention was to create one full-color lithograph, but during his time at Flatbed developing the image, he also approved a second version. This monochromatic version, “Rookery, High Island II” utilizes three plates from the color version

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Hollis Hammonds "Disappearance: Icons of Excess"

In May of 2024, Flatbed published “Disappearance: Icons of Excess” with Hammonds. The hand-drawn lithograph with chine collé relief etching vignettes combines Hammonds’ themes of nature contrasted with human over-indulgence. Hammonds writes: “

My focus lies in conveying the fragility of nature and the impact of human actions on the environment, drawing inspiration from the mysterious depths of forests and piles of debris

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"The Healer," Annalise Gratovich's newest woodcut from Villager's Carrying Things from Home

Flatbed is excited to announce the publication of Annalise Gratovich’s newest woodcut in her series “Villagers Carrying Things from Home.” This woodcut was created in the unique method of adding color by printing hand-dyed chine collé elements into the life-sized woodcut, and is the seventh Villager woodcut in her planned series of eight. Only seven impressions were printed in the edition.

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James Sullivan - Seeing in the Dark

In 2023, Sullivan developed two images at Flatbed to become polymer gravure etchings. First was the image of “Box” 1, a hand-drawn skeletal probing of the space of a simple box. He had drawn this image with a certain hand-carved reed dipped a sepia-toned ink. The second was Popular Mechanics 8 + 3, a diptych intaglio image based on Sullivan's landscape drawings which are on sheets from a Popular Mechanics magazine printed with the raised-dot patterns of Braille. The images though starkly different from each other, share Sullivan’s search for the unseen.

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Willie, 1973

It was 1973 in Terlingua, Texas and photographer Peter Leighton captured a moment of Willie Nelson’s performance during a tumultuous night set. He discovered it years later, restored the film negative, and is working with Flatbed to create a very limited polymer photogravure edition.

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David Everett Adds Three New Prints to his Southwest Lexicon of Creatures

Flatbed Press is proud to announce the publication of three new woodcuts by David Everett. The newest to join his lexicon of southwestern creatures are Caracara, Roadrunner, and Kingfisher. These recent choices of Everett’s are all birds found in Texas. Roadrunner and Caracara are often seen in arid areas but the Kingfisher thrives near lakes, rivers, and other aquatic areas.

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Laura Crehuet Berman- The Ravel Suite

Flatbed is thrilled to announce the publication of a suite of color lithographs by Laura Crehuet Berman. Spanish-born artist Laura Crehuet Berman lives and works in Kansas City, Mo. Berman is the recipient of a 2023 Fulbright Award. Her work is widely collected and she has exhibited internationally at venues. The Ravel Suite is comprised of three color lithographs.

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Miguel A. Aragón: New Editions

Flatbed is excited to announce the publication of six new prints with Mexican-born artist Miguel A. Aragón. Aragón, who lives and works in New York City (USA) and Berlin (Germany) has exhibited internationally at venues including the Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY; Uferhallen, Berlin, Germany and the Society of Northern Alberta Print-Artists, Canada. His awards and residences include NYSCA/NYFA Artist Fellowship; KALA Art Institute, Berkeley, CA; Zygote Press, Cleveland, OH; and Till Richter Museum, Buggenhagen, Germany.

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Nick Vaughan & Jake Margolin. Norma Trist; Or Pure Carbon: A Story of the Inversion of the Sexes

Flatbed is pleased to announce the launch of its co-publication: Norma Trist, a Livre d’Artiste, with Houston-based artists Nick Vaughan and Jake Margolin. The artists have used the source text from the 1895 novel by John Wesley Carhart, a groundbreaking work that contains stunningly progressive defenses of same-sex desire, that was the foundation of their 2016 installation: "50 States: Texas".

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"Ship of Fools" by John Alexander

Flatbed Press is proud to present Ship of Fools,, our first annual Flatbed subscription print, by the renowned artist, John Alexander. Ship of Fools is Flatbed’s 2020 Friends or Flatbed subscription publication made possible by the Friends of Flatbed who receive an annual print with their membership. A limited number of prints are available for purchase. Link to see this etching in our artists’ collections and purchase.

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