Flatbed is very pleased to announce the release of the two newest editions in Annalise Gratovich’s ongoing series of eight, Carrying Things From Home. The two new images titled, The Mother and The Undertaker are the fifth and sixth life-size woodcuts by the first generation Texas artist, representing life and hope, death and loss.
Read MoreDuring the Covid year of 2020, Flatbed stayed busy working one-on-one with artist Lance Letscher creating a new body of works using intaglio and relief techniques.
Read MoreFlatbed is pleased to announce the launch of its co-publication: Norma Trist, a Livre d’Artiste, with Houston-based artists Nick Vaughan and Jake Margolin. The artists have used the source text from the 1895 novel by John Wesley Carhart, a groundbreaking work that contains stunningly progressive defenses of same-sex desire, that was the foundation of their 2016 installation: "50 States: Texas".
Read MoreLance Letsche’s past printmaking experience and love of the intaglio process and mark making on copper has inspired a body of intaglio works created as co-publications with Flatbed Press.
Read MoreFlatbed Press is proud to present Ship of Fools,, our first annual Flatbed subscription print, by the renowned artist, John Alexander. Ship of Fools is Flatbed’s 2020 Friends or Flatbed subscription publication made possible by the Friends of Flatbed who receive an annual print with their membership. A limited number of prints are available for purchase. Link to see this etching in our artists’ collections and purchase.
Read MoreFlatbed Press announces the publication of the new deluxe artist portfolio with Michael Ray Charles titled Every World Is A Head, Every Head Is A World. This monumental project was co-published with the support of The Black Studies Department of the University of Texas and has been in process since the fall of 2017.
Read MoreFlatbed is pleased to announce the publication two woodcut prints from Ben Munoz's series "La Familia. On the left is "Epilogue," and on the right is "Heed." Image courtesy the artist.
Read MoreFlatbed is so pleased to announce our newest publication, "Recovery", a three-panel lithograph with Melissa Miller. Inspired by the flotsom-jetsom of Houston's frequent hurricanes, Miller draws on the metaphorical mirror of human disaster and recovery found in nature. Working with a panoramic format, Miller intends that "Recovery" be read in time as well as a whole.
Read MoreFlatbed is very proud to announce the publication of four new editions with Sue Heatley of Richmond, Virginia. These four prints make up the "Natural Order" suite. The relief prints are available as single prints or as a suite. Each was printed in an edition of 24. The image size: 19 5/8 x 15 5/8 inches and paper size: 28 1/2 x 23 3/4 inches
Read MoreFlatbed is pleased to announce ten new editions by James Sullivan of Dallas, Texas. The newly published etchings are currently a part of his exhibition titled “Unfinished Business” at Conduit Gallery in Dallas, Texas.
Read MoreFlatbed Press is proud to announce the ongoing publication of a series of woodcuts by David Everett. Everett, well known for his large wood-carved three-dimensional polychrome sculptures of all manner of animals and unique combination of animals (fish, fowl, reptile and mammal) has turned his chisels to plank cherrywood surfaces to create woodblocks for a series of color woodcuts referencing. animals of the southwest.
Read MorePrint fairs are massive enterprises and always fun to take part in. This past week Flatbed was honored to be invited to be part of the select dealers showing work at the Minneapolis Institute of Art's 26th Annual Print and Drawing Fair. We were proud be represent our artists to the knowledgeable of print loving community of Minneapolis! It is by far our favorite print fair and we love working with the supportive curators in the M.I.A. Keep Reading…
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